NEWS
Here I post about my projects, exhibitions, publications, talks, artistic research,…
“Transatlantic interconnections” at “Historical Links,” a conference held at the Instituto Franklin (Alcala de Henares, Spain).
I’ll be giving a presentation about my artistic research, “Transatlantic Interconnections: Oceans, Culture, and Artworks in the Space Age,” at the international conference “Historical Links.” The 3-day in-person conference is jointly organized by the Instituto Franklin, the City College of New York (CUNY): Division of Interdisciplinary Studies at CWE, and the Instituto Cervantes New York (Cervantes Institute NYC).
Poster “A hurricane is also a prompt” in Open Science Framework (OSF), Online.
I uploaded a poster about my artistic research. It is now stored in the Open Science Framework (OSF) repository. Here’s the link to poster: A hurricane is also a prompt.
“A hurricane is also a prompt” at “Hurricanes and Scaffolding”, the Symposium on Artistic Research (Umea, Sweden).
I´ll be presenting “A hurricane is also a prompt” at “Hurricanes and Scaffolding,” the Swedish Symposium on Artistic Research at UmArts, the Research Centre for Architecture, Design and the Arts at Umea University in Northern Sweden.
“Salt landscapes”, an arts-based qualitative dataset.
I uploaded the arts-based qualitative dataset “Salt landscapes.” I've included fieldwork data, basically some analog slides from August 2007.
Poster and roundtable. Congress about artistic research (Madrid, Spain).
I’ll be at the CIBA congress about artistic research, “IV Congreso de Investigación en Bellas Artes (CIBA4).” at the Complutense University of Madrid.
"Annotations: walking, ocean acidification." Conference poster.
I released 2 posters from a conference about my artwork: ‘Annotations’ regarding:
· research-creation
· hydrological hazards and ocean acidification
Madja-Edelstein Gomez, curator of The Recombinants, was interviewed by Annet Dekker on “Curating Digital Art” (Valiz publishers, Netherlands).
Madja-Edelstein Gomez discussed “digital art, new media, net art, contemporary art, or any of the post-arts” with Annet Dekker through quoting her own Recombinant Manifesto, a previous interview on Rhizome, and whatever came to her mind.
“Annotations” at the collective exhibition “Climate Wunderkammer” (Venice, Italy).
“Annotations” is one of my artworks-in-progress. It was on display at “Climate Wunderkammer,” a collateral event at the 18th Venice Architecture Biennale, 2023.
“Cataratas” exhibited at “Cultural Matter”, a program by Living Media Art platform LI-MA (Amsterdam, Netherlands).
“Cataratas” is exhibited during one of the Cultural Matter events dedicated to Martine Neddam, who will present Madja Edelstein-Gomez at LI-MA, a platform for digital art and media art.
Virtual opening of “The Recombinants” on Rhizome.org (Front-page, Online). “Cataratas” is on display.
“Cataratas”, as a part of a body of artwork of The Recombinants, is on display during the virtual opening of the group exhibition on Rhizome.org (Front-page, Online).
In-person opening of “The Recombinants”. “Cataratas” showcased during Art-O-Rama fair at La Friche la Belle de Mai (Marseille, France).
Curator Madja-Edelstein Gomez has been appointed to showcase the online exhibition “The Recombinants” in the context of the Art-O-Rama fair. As an associated project during the event, Madja exposed three screencaptions lasting fifteen minutes each.
Exhibition, “Cataratas” is shown at “Les Recombinants” (www.therecombinants.com, Online).
My artwork Cataratas is part of "The Recombinants”, an online group exhibition curated by Madja Edelstein-Gomez.
Virtual exhibit showcasing “Postcard Garden” on the Internet (www.dateasperpostmark.com, Online).
The on-site exhibition “Date as per postmark” is available on the Internet. The digital version of the postcards exhibited at the Hippocrene Foundation in Paris can now be seen on the www.dateasperpostmark.com website.
“Postcard Garden” exhibited at the group show “Date as Per Postmark” at the Hippocrene Foundation, Villa Mallet-Stevens (Paris, France).
My site-specific installation “Postcard Garden” is on display at the mail-art group exhibition “Date as Per Postmark” at the Hippocrene Foundation, a modernist villa in the 16th arrondissement of Paris.
Our writing about “Deep time” is included in the book “MILK” (Anglia Ruskin University publisher, United Kingdom).
I co-wrote the book chapter “Deep Time—Walking Between the Second and the Million” with Barbara Boiocchi, Emma James, and Valerie Furnham, which can be read in “MILK,” an open-access and peer-reviewed publication by Anglia Ruskin University in conjunction with the Cambridge Sustainability Residency.